Burghard Müller-Dannhausen
2016
 - Burghard Müller-Dannhausen
updated 12.03.2016
2015
 - Burghard Müller-Dannhausen
updated 19.02.2016
2014
 - Burghard Müller-Dannhausen
updated 08.01.2016
2013
 - Burghard Müller-Dannhausen
updated 22.11.2014
2012
 - Burghard Müller-Dannhausen
created 16.10.2014
2011
 - Burghard Müller-Dannhausen
created 16.10.2014
2010
 - Burghard Müller-Dannhausen
created 16.10.2014
2009
 - Burghard Müller-Dannhausen
created 16.10.2014
2008
 - Burghard Müller-Dannhausen
created 16.10.2014
2007
 - Burghard Müller-Dannhausen
created 16.10.2014
2006
 - Burghard Müller-Dannhausen
created 16.10.2014
2005
 - Burghard Müller-Dannhausen
created 16.10.2014
2004
 - Burghard Müller-Dannhausen
created 16.10.2014
2003
 - Burghard Müller-Dannhausen
created 16.10.2014
2002
 - Burghard Müller-Dannhausen
created 16.10.2014
2001
 - Burghard Müller-Dannhausen
created 16.10.2014
2000
 - Burghard Müller-Dannhausen
created 16.10.2014
1999
 - Burghard Müller-Dannhausen
created 16.10.2014
1998
 - Burghard Müller-Dannhausen
created 16.10.2014
1997
 - Burghard Müller-Dannhausen
created 16.10.2014
1996
created 16.10.2014

The simplification of the picture structure includes a preference for the base directions vertical and horizontal. It is logical to pull together the boundaries of color zones in relationship to the format borders. Herein lies the connection to the tradition of constructivist painting. However, it remains only an approximation, the almost vertical and almost horizontal parallels are avoided. Instability as a pictorial factor arises. The impulse to vertical and horizontal has other reasons. As an elementary direction, it represents dimension. It gives the color its size and weight. As a shape, in contrast, it recedes. This is different to the varying diagonals that are consciously avoided. These give the color more of a shape, accentuating therefore the shape character. The drama of diagonals should also be avoided. The picture’s drama occurs in the color. The adopted approach that is directed more inwards than forwards is continuously varied, so that the same patterns of surface arrangement do not reappear. Hence new picture solutions warily arise which yet have little consequence. The novelty always appears through the individuality of each picture and its color relationship.

Oktober 1996 II - Burghard Mller-Dannhausen
Oktober 1996 II
Acrylic on canvas
90 x 140 cm
Sammlung
Mathias Beck
Homburg/Saar
April 1996 V - Burghard Mller-Dannhausen
April 1996 V
Acrylic on canvas
120 x 80 cm
Meyer & Partner
Architekten
Bayreuth
1995
 - Burghard Müller-Dannhausen
created 16.10.2014
1994
 - Burghard Müller-Dannhausen
created 16.10.2014
1993
 - Burghard Müller-Dannhausen
created 16.10.2014
1992
 - Burghard Müller-Dannhausen
created 16.10.2014
1991
 - Burghard Müller-Dannhausen
created 16.10.2014
1990
 - Burghard Müller-Dannhausen
created 16.10.2014
1989
 - Burghard Müller-Dannhausen
created 16.10.2014
1988
 - Burghard Müller-Dannhausen
created 16.10.2014
1987
 - Burghard Müller-Dannhausen
created 16.10.2014
1986
 - Burghard Müller-Dannhausen
created 16.10.2014
1985
 - Burghard Müller-Dannhausen
created 16.10.2014
1984
 - Burghard Müller-Dannhausen
created 16.10.2014
1983
 - Burghard Müller-Dannhausen
created 16.10.2014
1982
 - Burghard Müller-Dannhausen
created 16.10.2014
1981
 - Burghard Müller-Dannhausen
created 16.10.2014
1980
 - Burghard Müller-Dannhausen
created 16.10.2014
1979
 - Burghard Müller-Dannhausen
created 16.10.2014
1978
 - Burghard Müller-Dannhausen
created 16.10.2014
1977
 - Burghard Müller-Dannhausen
created 16.10.2014
1976
 - Burghard Müller-Dannhausen
created 16.10.2014
1975
 - Burghard Müller-Dannhausen
created 16.10.2014
1974
 - Burghard Müller-Dannhausen
created 16.10.2014